{"product_id":"v-a-surrealism-reviewed","title":"v\/a - SURREALISM REVIEWED","description":"\u003cp\u003e\u003ci\u003eSurrealism Reviewed\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis an audio anthology of historic spoken word recordings by Surrealist artists, writers and poets.\u003c\/p\u003e\n\u003cp\u003eMade between 1929 and 1963, the collection includes poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). Leading lights include Marcel Duchamp, Salvador Dali and André Breton. The remarkable contributions from Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s.\u003c\/p\u003e\n\u003cp\u003eRunning for 74 minutes, with detailed sleevenotes,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSurrealism Reviewed\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a must for all students of 20th century art, literature and the avant-garde, as well as left-field creative ideas and endeavour. The cover art reproduces\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThis Morning\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1951) by Yves Tanguy. ISBN 0-9540549-5-4\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCD tracklist\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003e1.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTangos Argentinos\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eUn Chien Andalou\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1928)\u003cbr\u003e2.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHerbert Read\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Surrealist Object\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1937)\u003cbr\u003e3.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMarcel Duchamp\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Creative Act\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1957)\u003cbr\u003e4.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJean Cocteau\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLa toison d'or\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1929)\u003cbr\u003e5.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMax Ernst\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003einterview\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1960s)\u003cbr\u003e6.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTristan Tzara\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDada Into Surrealism\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1959) (FR)\u003cbr\u003e7.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePhilippe Soupault\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003einterview\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1959) (FR)\u003cbr\u003e8.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSalvador Dali\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003einterview\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1963)\u003cbr\u003e9.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMan Ray\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eInterview\u003c\/i\u003e\u003cbr\u003e10.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLee Miller\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003einterview\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1946)\u003cbr\u003e11.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRoland Penrose\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003einterview\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1946)\u003cbr\u003e12.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRobert Desnos\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRelation d'un rêve\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1938) (FR)\u003cbr\u003e13.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAndré Breton\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eInterview\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1950) (FR)\u003cbr\u003e14.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLouis Aragon\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003einterview\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1963) (FR)\u003cbr\u003e15.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAndré Breton\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eL'union libre\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb\u003eReviews\u003c\/b\u003e:\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\"With extensive sleevenotes and translations, this is a brilliant little primer for would-be avant-gardists\"\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cb\u003eGlasgow Herald\u003c\/b\u003e, 10\/2002)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"A formidable if unlikely branch of rock's ancestry. Many of the recordings here feature music, most strikingly Robert Desnos, whose eerie accompaniment represents a very early example of ambient\/avant-garde electronica\"\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cb\u003eUncut\u003c\/b\u003e, 12\/2002)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"A remarkable audio gallery to be heartily applauded, with superb sleevenotes and English translations. Fascinating\"\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cb\u003eRecord Collector\u003c\/b\u003e, 12\/2002)\u003c\/p\u003e","brand":"LTM","offers":[{"title":"CD","offer_id":67995532886292,"sku":"LTM2343","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/71K_HPlG5XL._SL1200.jpg?v=1793922139","url":"https:\/\/primeunion.shop\/products\/v-a-surrealism-reviewed","provider":"Linden \u0026 Oak","version":"1.0","type":"link"}