{"title":"Music Releases","description":"\u003cp\u003eExplore recorded music across albums, singles, EPs, compilations, and selected music-related media. This collection brings together independent releases in the formats listed on each product, including CDs, vinyl records, and digital editions. Discover ambient, electronic, indie pop, and other sounds for focused listening, personal collections, or finding your next favorite artist. Check individual listings for available formats and track details.\u003c\/p\u003e","products":[{"product_id":"spacetime-continuum-its-own-infinite-flower-empress-eyes","title":"Spacetime Continuum \u0026 Its Own Infinite Flower - Empress Eyes","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eRelease date: 9\/15\/2023\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eReflective Records label head Jonah Sharp aka Spacetime Continuum \u0026amp; Tasho Nicolopulos aka Its Infinite Flower began playing together Halloween 2015 on a Boat in the San Francisco Bay. The two were asked to host a “chill out” room for SF's Sunset Sound System Halloween Boat Party \u0026amp; thus began a strange \u0026amp; ridiculous ritual of dragging a bunch of synthesizers \u0026amp; drum machines on a boat to cruise around the Bay while people rave in costume.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe expansive \u0026amp; largely improvised sets stretched to four hours or more \u0026amp; this selection of recordings from 2017 represents a collage of the majestic dark horror jazz electro the two have become known for evoking.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSpecial thanks to Galen \u0026amp; Solar \u0026amp; the extended Sunset Family \u0026amp; Pascal \u0026amp; Know:Audio. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eSan Pablo Bay \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEmpress Ice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eApparition \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAngel Island \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSeance \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRat Rock Island \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Carpe Sonum","offers":[{"title":"CD","offer_id":67992525046036,"sku":"SEIZE-LXXII","price":11.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/S72-Cover3000.jpg?v=1793918522"},{"product_id":"auburn-lull-behind-all-curses-of-thought-lies-the-ability-to-focus-on-vacant-spaces","title":"Auburn Lull - Behind All Curses of Thought Lies the Ability to Focus on Vacant Spaces","description":"A1. North Territorial\u003cbr\u003eB1. Van Der Graaf\u003cbr\u003e\u003cbr\u003e","brand":"Zeal","offers":[{"title":"7\"","offer_id":67992528257300,"sku":"zeal003","price":4.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/R-358187-1156167875.jpg?v=1793918530"},{"product_id":"pia-fraus-evening-colours","title":"Pia Fraus - Evening Colours","description":"\u003cstrong\u003eCD and digital release date: 7\/28\/2023.\u003cbr\u003e\u003cbr\u003eLP release date: 9\/28\/2023 on limited Purple Vinyl (200 copies) and Black Vinyl (300 copies). \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e01 French Exit \u003cbr\u003e02 Fog on the Hills \u003cbr\u003e03 Evening Colours \u003cbr\u003e04 Sunny Afternoon \u003cbr\u003e05 Who's the Envelope-Man? \u003cbr\u003e06 Regret Everything \u003cbr\u003e07 Confidential Information \u003cbr\u003e08 Another Artichoke \u003cbr\u003e09 Cloud Winterland \u003cbr\u003e10 We Melt \u003cbr\u003e11 Lost in Nights \u003cbr\u003e\u003cbr\u003ePia Fraus are back with a new LP entitled Evening Colours. This time, the band consists of Kristel Eplik (vocals), Eve Komp (vocals, synth), Kärt Ojavee (synth), Rein Fuks (guitar, synth, percussion), Reijo Tagapere (bass), Joosep Volk (drums). \u003cbr\u003e\u003cbr\u003eEstonian indie-legend Pia Fraus is releasing a brand new album after a few years break. The 11- track album is called \"Evening Colours\" and will be released in Europe, Australia, and several locations in Asia on the same date. Celebrating the 26th year together, their new album will be out on CD on July 28th and on vinyl Sept 28th. In Europe, the album will be released by Seksound; indie fans worldwide will be reached through our great new partner. \"We have recently signed a new contract, so In Asia and Australia, \"Evening Colours\" will be released the legendary Japanese label P-Vine Record,\" says Rein Fuks. \"It´s mostly known as a jazz and blues label but these times they´re releasing also current indie stuff, like Alvvays, Hazel English and Beach Fossils, which is probably the most important dreampop band right now. The album features several wellknown artists; the strings on \"Evening Colours\", for example, have been arranged by by Sean O Hagan, who is known as a member of The High Llamas, Stereolab, and Microdisney. \"I am glad he took the trouble of doing our stuff,\" smiles Fuks. The album is designed by Scottish artist Annabel Wright, whose record sleeves and illustrations Fuks, being a big The Pastels' fan, has been admiring already from the end of 1990s. Evening Colours will be released by Seksound (worldwide) and on P-Vine in Asia and Australia. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Seksound","offers":[{"title":"CD","offer_id":67992528716052,"sku":"SEKs082-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":67992528748820,"sku":"SEKs082-3","price":8.0,"currency_code":"USD","in_stock":true},{"title":"FLAC","offer_id":67992528781588,"sku":"SEKs082-4","price":10.0,"currency_code":"USD","in_stock":true},{"title":"LP (purple vinyl)","offer_id":67992528814356,"sku":"SEKs082-1A","price":24.0,"currency_code":"USD","in_stock":true},{"title":"LP (black vinyl)","offer_id":67992528847124,"sku":"SEKs082-1C","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/PiaFraus-EveningColours.jpg?v=1793918535"},{"product_id":"kitty-craft-beats-and-breaks-from-the-flower-patch-deluxe-edition","title":"Kitty Craft - Beats and Breaks from the Flower Patch (Deluxe Edition)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLimited edition of 1000 Flower Patch Superbloom color PET 2xLP with OBI.\u003cbr\u003eExpanded Edition CD is also available.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Deluxe Edition 2xLP includes Kitty Craft's first two EPs \u003cem\u003eIt's Stupid\u003c\/em\u003e and \u003cem\u003eI Got Rulez,\u003c\/em\u003e the five bonus tracks featured on the new Takotsubo Records edition CD, and the Rock Records (Japan) CD bonus tracks. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDeluxe Edition 2xLP tracklist:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eSIDE A\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA1. Par 5\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA2. Inward Jam\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA3. When Fortune Smiles\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA4. Alright\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA5. Half Court Press\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA6. Mama’s Lamp (American Mix)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSIDE B\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eB1. Locked Groove\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eB2. Down For\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eB3. Shine On\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eB4. All To You\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eB5. Caught High\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eB6. Leaves Your Breath *\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSIDE C\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eC1. Faultered *\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eC2. Trax (x2) **\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eC3. Lo-Fi **\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eC4. Where in the World is Carmen Miranda? **\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eC5. No Bets **\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eC6. All To You (Australian Mix) **\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSIDE D\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eD1. It’s Stupid ***\u003cbr\u003e\u003c\/span\u003eD2. 3 Above Average ***\u003cbr\u003eD3. No Response ***\u003cbr\u003eD4. High as a Kite ***\u003cbr\u003eD5. I Got Rulez ****\u003cbr\u003eD6. Alice ****\u003cbr\u003eD7. Find Out ****\u003cbr\u003eD8. Quite Clear ****\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e* Rock Records Japan CD bonus track\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e** Takotsubo Expanded CD bonus track\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e*** \u003c\/span\u003e\u003cem\u003eIt’s Stupid\u003c\/em\u003e\u003cspan\u003e EP tracks\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e****\u003c\/span\u003e\u003cem\u003e I Got Rulez\u003c\/em\u003e\u003cspan\u003e EP tracks\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eExpanded Edition CD description:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eThis is a new 2022 special edition release of the Kitty Craft fan-favorite Beats and Breaks from the Flower Patch. This is the new Takotsubo Records edition, which includes five songs that you probably haven’t heard. The bonus tracks are only available on this CD and are all from the Beats \u0026amp; Breaks era of recording at The Flower Patch, Minneapolis, MN. Previously un-released and\/or rare.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eExpanded Edition CD track list:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e1. Par 5\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e2. Inward Jam\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. When Fortune Smiles\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e4. Alright\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. Half Court Press\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. Mama's Lamp (American Mix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. Locked Groove\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. Down For\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. Shine On\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. All to You\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e11. Caught High\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+ five bonus tracks:\u003cbr\u003e\u003cbr\u003e12. Trax (x2)\u003cbr\u003e13. Lo-Fi\u003cbr\u003e14. Where in the World is Carmen Miranda?\u003cbr\u003e15. No Bets\u003cbr\u003e16. All to You (Australian Mix)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDigital track list:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Par 5\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Inward Jam\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. When Fortune Smiles\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Alright\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Half Court Press\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Mama's Lamp (American Mix)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Locked Groove\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Down For\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Shine On\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. All to You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Caught High\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eKitty Craft is Pamela Valfer.\u003cbr\u003e\u003cbr\u003eDebuting in 1994 with the S\/T cassette release on the Australian, Toytown label, and IT’S STUPID EP 7\" in 1995, Pam’s sound was originally a low-tech affair. 1997’s I GOT RULEZ EP 7” expanded her sound with keys \u0026amp; sampler, leading to 1998 release of BEATS \u0026amp; BREAKS FROM THE FLOWER PATCH (originally released in the USA by Kindercore Records). In 2000, her 2nd full-length album, CATSKILLS followed on March Records in the USA. Both albums had Japanese tours and Japanese CD releases with Rock Records.\u003cbr\u003e\u003cbr\u003eAround 2003\/2004 after the completion of her 3rd Album... Pam dropped the mic, hung up her headphones, and put kitty craft into hibernation. The album was put down and filed away. Pam then focused on her visual and multimedia art, and career as an art professor.\u003cbr\u003e\u003cbr\u003eIn 2019, kitty craft woke from hibernation and quietly without fanfare, released \"Beats and Breaks from the Flower Patch\" and \"Catskills\" on all streaming \u0026amp; digital platforms. Followed soon after by \"Lost Tapes\", a gem of an album, comprised exclusively of previously unreleased songs recorded as a full album in 2003, but was shelved never to see the light of day...until now.\u003cbr\u003e\u003cbr\u003eIn some kind of pandemic zeitgeist, along with stuff like Lofi Girl\/ChilledCow, a 90's aesthetic resurgence, and the popularity of new and old vinyl records - kitty craft has been adopted by a whole new group of digital natives. Amazing and unexpected.\u003cbr\u003e\u003cbr\u003eValentine's Day 2022 brought us kitty craft's first full-length LP vinyl record... MEW (1994-2004), an anthology album with tracks spanning all eras... MEW, shows an artist with a clear vision from the start.\u003cbr\u003e\u003cbr\u003e2023: Takotsubo Records brings you the expanded CD versions of the kitty craft discography. Starting with BEATS \u0026amp; BREAKS and LOST TAPES... Both include previously unreleased songs. Back at home with Darla Records for worldwide distribution! \u003cbr\u003e\u003cbr\u003eINSTAGRAM: @kittycraft_band\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLINKTREE: \u003ca href=\"https:\/\/linktr.ee\/kitty.craft\" rel=\"nofollow\"\u003e\u003cspan\u003ehttps:\/\/linktr.ee\/kitty.craft\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Pamela Valfer's first full-length Kitty Craft album Breaks and Beats From the Flower Patch spotlights her bewitching, homemade loop pop. Hypnotic flutes, guitars, and harmonies float over simple but catchy beats, creating a dreamy, nearly Eastern-influenced ambience on songs like \"Locked Groove\" and \"Half Court Press,\" while \"Par 5\" and \"Mama's Lamp\" wear their '60s folk, soul, and pop influences proudly. While individual songs tend to blend together, Kitty Craft's sound is so distinctive that it makes the album almost like a vacation to a mellow, cheerful, sunny place -- the flower patch itself, perhaps? Unabashedly pretty, ethereal yet down-to-earth, Breaks and Beats From the Flower Patch is a completely charming album.\"  \u003cb\u003e-- Heather Phares,  \u003ca\u003e\u003cspan\u003eALLMUSIC.com\u003c\/span\u003e\u003c\/a\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\"Kitty Craft is Minneapolis-based Pamela Valfer's ingenious melding of sugary vocals and relaxed looped beats. Her sophomore album, Catskills, continues her lo-fi but technologically savvy work as she blends folk-tinged vocal tendencies with chilled out and occasionally slightly bizarre beats. Underscoring the tracks are tinkling keyboard effects that avoid sounding childish but still manage to be unabashedly playful. Similar in concept, though far less hyperactive than Cornelius' Fantasma, Catskills is an easy to digest record of not quite perfect yet still enjoyable pop confections. There's funky hip-hop sampling complete with standup basslines and record fuzz, and there are also tripped-out samples under airy harmonies, all mixed up to the point where both styles can occur in a single song. With all of these effects and her floating vocals, songs like \"At the Charity Stripe\" see Kitty craft putting a brand-new spin on the Portishead concept. This may not be the record you memorize every lyric to, but its infectious and easy to stomach grooves will still leave a smile on your face and some bounce in your step. Valfer successfully constructs a landscape of intelligent beat-oriented pop on this record, and she should at least get some recognition for taking a chance as an intelligent female songwriter putting an adventurous bit of herself into a context that lacks any real peers.\" \u003cb\u003e-- Peter J. D'Angelo, \u003c\/b\u003e\u003ca\u003e\u003cspan\u003e\u003cb\u003eALLMUSIC.com\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\"It was August and I was on a bus back from the beach, almost dozing off, when “Alright” by Kitty Craft started playing in my Discover Weekly. The pushy beats on the looped background set the scene for the mellow female vocals, “First day \/ Your skateboard aspiration on tip and tongue.” With the end of August derailing my summer aspirations to learn how to skate, the song perfectly depicted the nostalgic feeling of September approaching. The peaceful and rhythmic synths create the impression of regular waves on a beach, but the gentle vocals make the scene precarious, almost comforting you that the summer is over. “It’s alright, it’s alright. When it comes to Kitty Craft, it’s all about images. Perhaps due to her job as a visual art teacher, Kitty Craft, also known as Pamela Valfer, has a certain aptitude for painting scenes with her production, as much as she does with her paintbrush. This talent extends to her sonic adventures, which are never banal, but always unexpected and on point.\" \u003cb\u003e-- Onofrio De Michele, \u003c\/b\u003e\u003ca\u003e\u003cspan\u003e\u003cb\u003eFirebirdMagazine.com\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003eKitty Craft is the solo project of Pamela Valfer, a songwriter and musician who produced laid-back, breakbeat-driven indie pop songs during the late '90s and early 2000s. Her two main albums (not counting a rare 1995 cassette) were released by well-known twee labels Kindercore and March Records, and Valfer additionally contributed to albums by Sukpatch and the Busy Signals, other acts mining a similar sample-based hip-hop\/indie pop sound. Valfer seemed to disappear following 2004's Hello Kitty Craft EP, but after her catalog was made available digitally in the early 2020s, 1998's Beats and Breaks from the Flower Patch became somewhat of a runaway hit online, garnering comparisons to Saint Etienne and the Avalanches rather than the largely forgotten Slabco-adjacent indietronica scene Valfer was associated with at the time. Mew (1996-2004) gathers songs from nearly every Kitty Craft release, bringing most of the material to vinyl for the first time. Two songs from early 7\" singles, \"Find Out\" and the punkish \"It's Stupid,\" are rougher and more lo-fi, focusing on live instruments and preceding the sample usage of her subsequent work. Beats and Breaks remains a pleasant springtime frolic of a record, and while any track would've been at home on this compilation, the comforting trip-hop groover \"Alright,\" with its infectious looped soul wail during the chorus, is one of its clear standouts and easily the most memorable song here. Later releases like Catskills feature more-advanced beat-building and sample layering, as demonstrated by the stunning \"How Long Can This Go On?\" and the more disjointed, Land of the Loops-like \"At the Charity Stripe.\" The tracks from the 2020-issued Lost Tapes include moodier experiments like the reflective, turntable-heavy \"Tokyo in the Spring\" and the longing \"11 Hours and 16 Days,\" which surprisingly layers a guitar solo over its ending. The hypnotic, almost raga-like \"Locked Groove\" ends the release, and the vinyl edition fittingly does conclude in a locked groove, the way it was always meant to be. Valfer's sampladelic indie pop has aged well, and this compilation is a welcome sampler of her brief but charming discography. \u003cb\u003e-- Paul Simpson, \u003c\/b\u003e\u003ca\u003e\u003cspan\u003e\u003cb\u003eALLMUSIC.com\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\"DJ Pamela Valfer loops found beats and hooks, weaving vocals and synths on top à la Juana Molina. 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Kaikyō.\/ 海峡* \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003e*previously unreleased\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cb\u003eNotable Mentions \u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e\"Kwaidan \/ \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e怪談\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e is markedly different than some of the ambient music that has been coming from Japan in recent years—it’s darker and weirder, befitting its theme.\"\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e– Bandcamp, Best New Ambient\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e“Meitei creates a seductive and coherent style”\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e– The Wire\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e“It’s a record that whispers into your ear long into the night”\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e– Pitchfork, Best Experimental Albums of 2018\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e“Wind chimes, crickets, tape hiss and blunted hip hop mark this album as a hybrid, folding time like origami, locking past and present into a single, evocative form.”\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e– A Closer Listen\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e“Sounding both ancient and futuristic at once…”\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e– Tiny Mix Tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"Kitchen.","offers":[{"title":"LP","offer_id":67992577179924,"sku":"KI039LP","price":29.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":67992577212692,"sku":"AMIP0330","price":18.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/KI-039LP_COVER_3000PX.jpg?v=1793918624"},{"product_id":"pipiolas-el-verano-que-me-debes","title":"Pipiolas - El Verano Que Me Debes","description":"\u003cp\u003e\u003cstrong\u003eRelease date: 8\/\u003cspan\u003e26\/2022.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eLimited edition clear-black Splatter colour vinyl with download.\u003cbr\u003e\u003cbr\u003eLINE UP: ADRIANA UBANI (vocals \/ Las Palmas de Gran Canaria), PAULA REYES (vocals \/ Alcorcón-Madrid)\u003c\/p\u003e\n\u003cp\u003eINFLUENCES: LA BIEN QUERIDA, SAINT ETIENNE, ALVVAYS, TENNIS, MECANO, HAZEL ENGLISH\u003c\/p\u003e\n\u003cp\u003ePRODUCED \u0026amp; MIXED by VAU BOY\u003cspan\u003e  \u003c\/span\u003e•\u003cspan\u003e  \u003c\/span\u003eVINYL SONGS MASTERED by VAU BOY and LORENZO MATELLÁN\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTRACKLIST: 01\u003c\/b\u003e Club de los 27\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e02\u003c\/b\u003e Domingo raro (Feat. Bego)\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e03\u003c\/b\u003e Narciso\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e04\u003c\/b\u003e Un poco triste :(\u003cbr\u003e\u003cbr\u003e\u003cb\u003e“New Adventures In Pop” collection [Issue 056]\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eThose of you who are regular followers probably figured this was coming. A vinyl was imminent. And here it is – the debut from PIPIOLAS in 10” Maxi-Single format, as part of our “New Adventures In Pop” collection, which includes a list of names to date that makes your head spin, like PAPA TOPO, TRONCO, LISASINSON, CARIÑO, AXOLOTES MEXICANOS, PUTOCHINOMARICÓN, MARINITA PRECARIA or AIKO EL GRUPO. Because everything that \u003cb\u003ePaula\u003c\/b\u003e and \u003cb\u003eAdriana\u003c\/b\u003e have been giving us these last few months just had to go on a vinyl like this, with that cover that shows an incredible photo by \u003cb\u003eNeelam Khan Vela\u003c\/b\u003e, that logo designed by \u003cb\u003eAritz García\u003c\/b\u003e, on a speckled, transparent vinyl with black swaths, with all the care in the world and those four indisputable hits. Because they have something special, that edgy pop, full of fantasy, where it is impossible to be bored, with great melodies and arrangements, and above all overflowing with imagination and creativity. Yes, of course, they met in the RESAD (the Royal College of the Performing Arts), where they both studied acting, and took choral and lyric singing classes. But really what defines them is their tremendous personality, charisma, and magic.\u003cbr\u003e\u003cbr\u003eThe A-side opens with “Club de los 27”. It is a complex song, full of ornamentation, but at the same time very immediate and addictive. Like a less bizarre, more punk version of “Bohemian Rhapsody”. And it begins like this: \u003ci\u003e“En el club de los 27 \/ Ya no están todos los de siempre \/ Porque se ha morido la gente \/ Cuerpos fríos son suficientes”\u003c\/i\u003e \u003ci\u003e(In the 27 club \/ Not everyone is with us \/ Because they have died off \/ Cold bodies are enough\u003c\/i\u003e). We can hear MECANO and also HOLE, SAINT ETIENNE and ALVVAYS. And they stop. And the epic-ness begins. M83. And another line for the vaults:\u003ci\u003e “¿Y ahora que hacemos con la modernez? \/ ¿Y ahora qué hacemos con lo que mola? \/ ¿Y ahora qué hacemos? ¿Qué se puede hacer? \/ ¿Y ahora qué vamos a hacer?” (And what do we do now with modernity? \/ What do we do now with what seems cool? \/ And what do we do now? What can be done? \/ What are we going to do now?\u003c\/i\u003e). It is the anthem of a generation. Enough said. The first side of the vinyl also includes “Domingo raro”. We fall in love right from the very start: \u003ci\u003e“Tengo un abrigo de piel que heredé \/ Un vinilo de Miguel Bosé \/ Y un amor caducado \/ Tengo hecho caldo y café \/ Tengo un apellido sin nombre \/ Yo tengo los hijos sin pasaporte \/ Tengo un invierno borrado \/ Tengo prisa por volverte a ver” (I have a hand-me-down fur coat \/ I have a Miguel Bosé vinyl album \/ And a love that has expired \/ I have coffee and broth ready \/ I have a last name without a first \/ I have kids without passports \/ I have a forgotten winter \/ I have to see you again soon\u003c\/i\u003e). The delicacy and sound of FAMILY and VAINICA DOBLE, the excited imagination and fun rhythms. And like “Common People”, the song explodes with euphoria while still working the same dynamic, while it draws that strange quotidian fresco, in the style inherited from \u003cb\u003eGloria Fuertes\u003c\/b\u003e and \u003cb\u003eCecilia\u003c\/b\u003e. An absolute anthem, marvelous, that also includes the collaboration of \u003cb\u003eBego\u003c\/b\u003e, which is to say, \u003cb\u003eBegoña Vargas\u003c\/b\u003e, the actress known for playing \u003cb\u003eRoberta\u003c\/b\u003e in “La Otra Mirada” and \u003cb\u003eTere\u003c\/b\u003e in “Las Leyes De La Frontera”, and who reveals herself here to be a magnificent singer. \u003cb\u003eBego\u003c\/b\u003e is a friend of \u003cb\u003ePaula\u003c\/b\u003e and \u003cb\u003eAdriana\u003c\/b\u003e, who watched the project grow and wanted to form a little part of it.\u003cbr\u003e\u003cbr\u003eThe B-side begins with the first song we ever heard from them, “Narciso”. That’s where they marked the parameters they were going to move within. They are giving us something more than music. And you know it because in barely four minutes you have gone from bedroom pop to house, then suddenly to techno-pop, and then another quick change and you’re rubbing elbows with punk-pop, after a few epic turns in the style of LA BIEN QUERIDA. It sounds amazing. And without being washed out or disjointed; without feeling like cut-paste. They know how to move through any territory, and they know it doesn’t pay off to do it half-assed. This release closes with “Un poco triste :(” and we are surprised all over again. Bedroom soul pop, melancholy, and in English. It has nothing to do with what we have heard up to now. HAZEL ENGLISH, THE SHACKS, TENNIS… Slow rhythms that contrast with the summery images. Summer memories. And almost at the end they surprise us with a few words in Spanish: “\u003ci\u003eAyer te llamé por si vas a volver \/ Pero tú respondiste que no” (Yesterday I called you to see if you’re coming back \/ But you said no)\u003c\/i\u003e. And it’s over. And you melt like ice cream in the sun.\u003cbr\u003e\u003cbr\u003eThe recording and production of \u003cb\u003eVau Boy\u003c\/b\u003e deserves its own paragraph, with its rich instrumentation and exquisite arrangements, transgressing the marvelous and powerful bedroom pop that have melted our hearts with until now.\u003cbr\u003e\u003cbr\u003eThere is no question. They are destined to be one of the biggest things in Spanish pop in the coming years, to create great moments. So far, they have given us four huge, exciting songs to make us laugh, shout and cry. And above all to sing. No holding back. Just look at how they do it. 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It is hoped that this music will communicate many ideas to the listener through the wonders of the collective unconscious that we all share in common. 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Soon after Clive Wright entered into a 3 album collaboration with ambient music legend Harold Budd, releasing 'A Song for Lost Blossoms' Candylion' and 'Little Windows' and then went on to produce  9 solo albums for Darla records. Clive and Carl's new release 'Hope and Faith' was recorded from December 2019 to early 2022, it is expected to be followed with an additional release maybe later this year. Carl Roessler plays native flutes, percussion, synth keyboards and programing. Clive Wright plays Guitars, Oud, synths and programing. Clive Wright engineered and mastered the album at Desert Sky Studios, Joshua Tree, California.\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003e1. Chime Enchantress\u003c\/div\u003e\n\u003cdiv\u003e2. And So It Begins\u003c\/div\u003e\n\u003cdiv\u003e3. Ganymede Morning\u003c\/div\u003e\n\u003cdiv\u003e4. Hope Nation\u003c\/div\u003e\n\u003cdiv\u003e5. Garden of Rejuvenation\u003c\/div\u003e\n\u003cdiv\u003e6. 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Elegance, fantasy, creativity, dreaminess… His disappearance from the music scene seven years ago was terrible news.\u003cbr\u003e\u003cbr\u003eSoon after “This Life Denied Me Your Love”, he put together his friend guitarist \u003cb\u003eAlberto Zacà\u003c\/b\u003e a bossa nova tribute band called WE LOVE GILBERTO where he played drums, and \u003cb\u003eClarissa Rustico \u003c\/b\u003esang. \u003cb\u003eClarissa\u003c\/b\u003e’s voice inspired him to fix up some ideas that he had been saving in a drawer and that have come together to make this EP we are releasing now, called, precisely, “We Love Gilberto EP”, and which serves as a kind of farewell. One last breath of creativity that has given us more of those rays of light that saturate his music: the rich arrangements, the exotic harmonies, the passion for Brazil, the house party, the samba and bossa nova… All of this is absolutely exuberant on these four songs that have the voices of \u003cb\u003eClarissa\u003c\/b\u003e herself and with \u003cb\u003eGaia Rollo\u003c\/b\u003e. Because we are here for things as beautiful as “Lasciamoci In Allegria”, “Embracing Livia”, “Prisma Clarisse” and the advance Digital Single “Creation Of My Ghosts”. Poetic justice, if you want to call it that. Press play and enjoy. 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One thing’s for certain: the good Mr. S knows his way around his machines, programming them with a disregard to style, category, or affiliation. He’s just as inclined to allow some sexy, saxy post-bop blurt into his sweeping vistas (“Nada Brahma”) as he is in engaging in some spiffy moonboot funk (“Intro (Drone #1)) and great atmospheric new age cut with musique concrete and watery, deep space dub (“R2R”, which recalls many of Yagya and Grad_U’s similarly dusky forays). The shiny, drum komputer dianetics pf “La Paz” offer some bright respite channelling both 90s-era Tangerine Dream and foggy bottom IDM of the same timeframe, while the closing timestretched dub techno of “Tiger Lunch” pulls and tugs at your speaker’s cheesecloth until the woofers beg for mercy. 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Remix clients have included Melody Gardot, Isabelle Antena, Calexico, Hooverphonic and Nicola Conte.\u003cbr\u003e\u003cbr\u003eSeaside, his 2003 collaboration with Isabelle Antena from signature album \u003ci\u003eCamino Real\u003c\/i\u003e, remains a perennial favourite around the globe, and paved the way for his first Crepuscule album \u003ci\u003eLuna Misteriosa\u003c\/i\u003e (TWI 1238) in 2018.\u003cbr\u003e\u003cbr\u003eLike \u003ci\u003eLuna Misteriosa\u003c\/i\u003e, the new album is co-created with Henrique Marques and features lead single La Jungle (TWI 1248), featuring vocalist Lauve. \u003ci\u003e“Most of these songs were recorded during the COVID pandemic,”\u003c\/i\u003e explains Dirk. \u003ci\u003e“The creative process gave me inspiration and strength during these strange times. Taize Oliviera (aka Tai) sings on a couple of tracks. She’s a Brazilian singer-songwriter based in Barcelona who mixes soul, urban and Latin rhythms. 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We have always been right alongside \u003cb\u003eGuille Milkyway\u003c\/b\u003e, arm in arm, enjoying the trajectory of a musical genius that has broken barriers with that personal, unique way of seeing music, turning it into a mass phenomenon, an incredible group, an unforgettable project within the pop panorama. That’s why we like to look back every so often and bring back one of their grand moments. Like this new reissue of “La Revolución Sexual”, on a gorgeous clear blue vinyl. We’re also re-releasing its immediate successor, “La Polinesia Meridional”, this time on an orange-colored double vinyl with a gatefold sleeve. Because “La Revolución Sexual” is an anthem that belongs, in its own right, to the collective consciousness and the history of pop music in this country. It is one of those works of art that transcends time and has been out of print on vinyl for ages. We know that many fans have been anxiously awaiting the chance to have these vinyls in their collection, and that’s why we have put so much care into every detail of these releases for you. It’s a special moment that’s worth it all. Enjoy!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eORIGINAL PROMOTIONAL TEXT\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eOne of the biggest musical influences from the 70s was, undoubtedly, disco music, and the spirit of the clubs and the escapist concept of the weekend it came with. A hard week of work finished on the dance floor, where you’re your problems disappeared and everything became an explosion of melodies, colors, love and a feeling of true freedom. Dancing to a pop song is like floating on air, feeling how the melody moves through your heart and irradiates a dose of pleasure that spreads through your entire body at light speed. Music in the clubs has changed a lot since then and a lot of people want to get the melody back on the dance floor. This coming November 28th, “La Polinesia Meridional”, one of the most promising albums of 2011, will be released. Welcome to 21st Century Disco Music (21 Disco Music)!!\u003cbr\u003e\u003cbr\u003eLA CASA AZUL is back with a huge collection of songs that will feed and light up the dance floors of half the planet, as well as the hearts of the group’s thousands of fans and followers who are spread out over all 7 continents. The album is an ode to escapism (usually denoted as the “cowardly” way of avoiding reality, but so necessary in our lives in order to obtain that balance that keeps us afloat) and to melody (that fundamental ingredient of pop music). \u003cb\u003eGuille Milkyway\u003c\/b\u003e’s new songs give proof of a love equally divided between \u003cb\u003ePhil Spector\u003c\/b\u003e, \u003cb\u003eNorman Harris\u003c\/b\u003e, ELO, THE JESUS AND MARY CHAIN, PIZZICATO FIVE, the RAMONES and THE STYLE COUNCIL.\u003cbr\u003e\u003cbr\u003eLA CASA AZUL’s musical universe is a continuous time travelling; “La Polinesia Meridional”, which packs in all of \u003cb\u003eGuille Milkyway\u003c\/b\u003e’s tastes, can sound totally classic, in the time-period sense of the word, as well as absolutely modern and ground-breaking. The album is a huge explosion of sounds and influences from so many different periods and styles, unprejudiced and exuberant in every way. The melodic elements of the album become the true protagonists over everything else. Despite having more complex structures than ever before, with layers and layers of sound, of distortion, of absolute noise, of multiple arrangements and general baroque stylings, what makes the songs on “La Polinesia Meridional” stand out is precisely their melodic components and the small details that form the songs. TEENAGE FANCLUB’s “Hang on” could be a clear example of how noise can be much more moving because a brilliant melody lives right alongside it.\u003cbr\u003e\u003cbr\u003e“La Polinesia Meridional” bursts with love for melodies, declares and demands the essence of pop above all else; the songs are hummable, close to us, and captivatingly popular. It is more and more difficult to define, talk about or try to explain how LA CASA AZUL’s songs are; they have created such a specific universe with such a singular and characteristic sound, but that are always so close to us and to our day-to-day lives that it messes up any theory or definition and reduces everything to one word: accessible. Accessible songs that captivate, seduce and enchant. It is, without a doubt, their best work and, musically, the songs speak for themselves and show off the great talent that \u003cb\u003eGuille\u003c\/b\u003e possesses and how fascinating his universe is.\u003cbr\u003e\u003cbr\u003eThis ode to escapism, expressed at its full potential on the album’s title track, is also better proof than ever of the contrasts between the content and the form. The songs’ lyrics are full of disillusionment, suffering, fear… But, musically, the album feels more colorful and explosive than ever in every way: the choruses, orchestration, arrangements, production… The healing effects of LA CASA AZUL’s songs arise from that singular combination.\u003cbr\u003e\u003cbr\u003e“La Polinesia Meridional” is a magical album on which \u003cb\u003eGuille\u003c\/b\u003e shows himself to be more transparent than ever. It is a work that manifests its disorientation in the face of the unstoppable passing of time (“¿Qué Se Siente Al Ser Tan Joven?”) and in the face of a world in a state of decline, a system that is falling apart in a hostile and decadent environment (“Sálvese Quien Pueda”, “Europa Superstar”).\u003cbr\u003e\u003cbr\u003eThe lyrics, effectively, express certain pessimism and high levels of resignation before the downfall, but even so, throughout the album, flecks of optimism can be seen (“La Fiesta Universal”, “Los Chicos Hoy Saltarán A La Pista”, “Una Mañana”, “La Niña Más Hermosa”) with the return to simplicity and beauty and the consequences of holding on to love as the only way of maintaining a lively attitude in the face of reality.\u003cbr\u003e\u003cbr\u003eThis album talks a lot about suffering and the inability to get over that suffering (“Sucumbir”, “Colisión Inminente”, “Terry, Peter Y Yo”). Many of the songs are like screams of rage and helplessness, screams that try to be captivating and, above all, beautiful. \u003cb\u003eGuille\u003c\/b\u003e’s emotional exhibitionism in the songs’ lyrics is much greater on this album than on any other song before now, but the language he uses throughout tries to be closer to us and simpler than ever.\u003cbr\u003e\u003cbr\u003ePreceded by “Tan Simple Como El Amor” (2003) and “La Revolución Sexual” (2007), “La Polinesia Meridional” is the third official album from LA CASA AZUL. It has been 4 years again between albums and we have had, in the meantime, another compilation album for fans and collectors – “El Sonido Efervescente De La Casa Azul” (2006) and “Lo Que Nos Dejó La Revolución” (2009). Though it might not seem like it, these last four years in \u003cb\u003eGuille Milkyway\u003c\/b\u003e’s have been the most productive and exciting: he has worked on multiple projects as a song-writer and producer, he did a successful tour for “La Revolución Sexual”, he has received so much media attention, he won international awards, his songs were played around the world…These four years have been crazy and full of hard work. Now it’s time to begin to reap the benefits of the seeds he so carefully sowed before. “La Polinesia Meridional” is finally here and the cartoon “Jelly Jamm” – for which \u003cb\u003eGuille\u003c\/b\u003e developed the “Jelly Sound” and for which he wrote, produced and played more than 20 songs for the children’s program’s soundtrack - debuted this past September in 130 different countries in Europe, Africa, Latin America and the Middle East. But that’s not all! \u003cb\u003eGuille\u003c\/b\u003e has also been in charge of the official theme song for Cartoonito, the new European channel for the Cartoon Network. This isn’t the first time our protagonist has been involved in projects for the youngest members of the household; he was involved in the successful American TV show “Yo Gabba Gabba” and the theme song for the TV show “Zona Disney”, among other things. There have been so many projects in these last few years, from the soundtrack for the movie “Yo, También”, which won a Goya in 2010, to the hit theme songs for TV programs, radio programs and ad campaigns.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“La Polinesia Meridional” will have a limited-edition first release on CD in a space format that comes from another world – the already known “Edición Espacial” (the Space Edition) for the album. The “Edición Retrospectiva” (the Retrospective Edition) will also go on sale on the 28th, as a limited-edition 12” vinyl that will include a free digital download. Once these special editions have run out, the “Edición Terrestre” (the Earth Edition) will arrive, in a standard Digipak.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album tour will begin in March, 2012 and will try to become, as with the concerts for “La Revolución Sexual”, an escapist activity to totally avoid reality and enter a completely addictive fantasy of pleasure, to discover and enjoy LA CASA AZUL’s universe.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIf you need any information, please get in touch with Montse Santalla at the address and phone number above\u003c\/b\u003e\u003c\/p\u003e","brand":"Elefant","offers":[{"title":"2xLP","offer_id":67992604836116,"sku":"ER1162DLP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/ER-1162.jpg?v=1793918665"},{"product_id":"mick-chillage-celestial-observations","title":"Mick Chillage - Celestial Observations","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eRelease Date: 04\/02\/21.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e1. 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Nomenclature 14:14\u003cbr\u003e\u003cbr\u003eCelestial Observations was created in Autumn 2020, the album only utilises sounds that came from my various synthesizers.\u003cbr\u003e\u003cbr\u003eWhat started out as experiment with layering monophonic drones, created mainly on the Moog grandmother at first it developed by various modulation patching of each part the sound would morph and change over time.\u003cbr\u003e\u003cbr\u003eI recorded these long droning\/morphing passages and eventually built on top of these foundations with some polyphonic patches I created on the Prophet Rev2 \u0026amp; Novation Supernova.\u003cbr\u003e\u003cbr\u003eIn some pieces however they only consist of monophonic sounds, on tracks one \u0026amp; four.\u003cbr\u003e\u003cbr\u003eWithin a few weeks I had the bones of an album, six tracks in all but I narrowed it down to five pieces, the omitted piece will be used elsewhere in the future. I felt these works definitely had an other worldly expanse to them and had a sense of dark \u0026amp; light and gave me a feeling of exploring the vastness of universe \u0026amp; beyond.\u003cbr\u003e\u003cbr\u003eThe title \"Celestial Observations\" seemed apt\u003cbr\u003e\u003cbr\u003eI hope you enjoy my return to the more \"Space Ambient\" spectrum on this album\u003cbr\u003e\u003cbr\u003eMick Chillage\u003cbr\u003e\u003cbr\u003eFeb 2021\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Before and After Silence Recordings","offers":[{"title":"CD","offer_id":67992607686932,"sku":"BAAS-MC-AA01","price":12.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/a0217010419_10.jpg?v=1793918667"},{"product_id":"urusei-yatsura-we-are-urusei-yatsura-30th-anniversary-edition","title":"Urusei Yatsura - We Are Urusei Yatsura (30th Anniversary Edition)","description":"\u003cp\u003e\u003cstrong\u003eRelease date 3\/3\/2023\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSecond pressing. 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On this unique session, two of the finest exponents of the London jazz scene, Tamar Osborn and Al MacSween, join forces with members of the celebrated Danish psychedelic underground - Jonas Munk, Jakob Skøtt and Martin Rude – to create a heady sonic brew. On this first volume of material there's everything one could hope for in such a collaboration: sonically it summons the free flowing euphoria of Alice Coltrane and Pharoah Sanders' work in the late 1960s and early 1970s. But there's also a focus on rhythmic energy and vitality that calls to mind the grooviest krautrock or electric period Miles Davis, as well as a healthy dose of electronic experiments.\u003cbr\u003e\u003cbr\u003eThroughout these five tracks the quintet paints with a colourful palette. Tamar Osborn shifts between baritone sax and flutes. Keyboardist Al MacSween doesn't just stick with the tried and true electric piano - an instrument which he masters - but showers these tracks in analog synths and effects as well. 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What groups like GALAXIE 500, RED HOUSE PAINTERS, LOW, COCTEAU TWINS, MAZZY STAR, or more recently CIGARETTES AFTER SEX, WARAHENEGE and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJoni\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003edo. That’s why we listen to each new song from BUBBLE TEA AND CIGARETTES like a gift, an opportunity, a narcotic journey to the deepest part of our feelings. That’s how we have experienced each of their five singles that have been released over the past year or so, and now it’s time to really celebrate, because the time has come for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKat\u003c\/strong\u003e’s first album, “There’s Nothing But Pleasure”.\u003cbr\u003e\u003cbr\u003eThis is a very special release, both on vinyl, CD formats and digital, which includes those five singles and three marvelous previously unreleased tracks. The album delves deeper into the preciousness that can be found in silence, of the magic of slow tempos, that seem to beat at the same pace as our heart. Where\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKat\u003c\/strong\u003e’s voices, the reverb, the delays, the crystalline guitars all create a false sense of fragility, that everything could break at any given moment, of containment, and of course, of emotion. The violins on “Cigarette Butt” (exciting); the martial rhythm of “He Asked Me To Quit Smoking” which reminds us of some of the saddest moments of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDusty Springfield\u003c\/strong\u003e; the desertic evocation of “Santa Mónica” that\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChris Isaak\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewould have loved to have written. The melodic perfection, that guitar arrangement and the impossible title, “Go Downstairs To The Blue Moon, Buy Some Fried Chicken”, the fifties spirit of “Leap”, the dreamy nostalgia of “Liz” and the surreal feeling of “5AM Empanada With You”. With nocturnal themes, and where cigarette smoke seems to take on a sonic quality, full of hedonism, the songs also benefit from the great mixing work of\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eAnthony \"Rocky\" Gallo\u003c\/strong\u003e \u003c\/span\u003e(\u003cspan\u003e\u003cstrong\u003eNorah Jones\u003c\/strong\u003e\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eCat Power\u003c\/strong\u003e\u003c\/span\u003e, THE XX, CIGARETTES AFTER SEX, THE KILLERS, THE CLIENTELE…) and the mastering of\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eGreg Calbi\u003c\/strong\u003e \u003c\/span\u003e(\u003cspan\u003e\u003cstrong\u003eStevie Wonder\u003c\/strong\u003e\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eJohn Lennon\u003c\/strong\u003e\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eDavid Bowie\u003c\/strong\u003e\u003c\/span\u003e, TAME IMPALA, ARCADE FIRE,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSt. Vincent\u003c\/strong\u003e\u003c\/span\u003e, PERFUME GENIUS, BLONDIE,\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eAretha Franklin\u003c\/strong\u003e\u003c\/span\u003e).\u003cbr\u003e\u003cbr\u003eAnd that “There’s Nothing But Pleasure”, where they pull out their most spatial facet, evoking a cosmic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFrancis Lai\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand his marvelous soundtracks, or a fully effervescent BEACH HOUSE, a tour de force that builds up almost without our realizing it, and in just three minutes places us at the edge of a cliff. We look down and everything is so pretty. We can’t give up. We have to jump, and fly, and hit play again, without realizing that we have already done it. Because beyond the typical association between sadness and slow tempos, they show us pleasure, a sense of humor, dreaminess, and so much beauty. And that is something that very few know how to give.\u003cbr\u003e\u003cbr\u003eAnd of course, after enjoying the narcotic effects of listening to the album, you can enjoy all the videos they have released these months with their various singles. There is another exciting journey in them.\u003c\/p\u003e","brand":"Elefant","offers":[{"title":"LP","offer_id":67992644387092,"sku":"ER1281-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":67992644419860,"sku":"ER1281-2","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/ER-1281.jpg?v=1793918692"},{"product_id":"la-casa-azul-la-revolucion-sexual","title":"La Casa Azul - La Revolución Sexual","description":"\u003cp\u003e\u003cstrong\u003eRelease date: 12\/15\/2023\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e2023 reissue: Limited edition LP transparent blue vinyl with updated cover art. CD in Digipak.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe vinyl includes a digital MP3 download [320 kbps].\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTHE ORIGINAL EDITION of “LA REVOLUCIÓN SEXUAL” was RELEASED in 2007 in LP [WHITE VINYL], CD [SPACE EDITION] \u0026amp; CD DIGIPAK FORMATS\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003eTRACKLIST:\u003c\/b\u003e \u003cb\u003e01\u003c\/b\u003e La Nueva Yma Sumac\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e02\u003c\/b\u003e La Revolución Sexual\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e03\u003c\/b\u003e Prefiero No\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e04\u003c\/b\u003e El Momento Más Feliz\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e05\u003c\/b\u003e Mis Nostálgicas Manías \u003cb\u003e06\u003c\/b\u003e No Más Myolastan\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e07\u003c\/b\u003e La Gran Mentira\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e08\u003c\/b\u003e Chicos Malos\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e09\u003c\/b\u003e Una Cosa O Dos\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e10\u003c\/b\u003e Mucho Más De Lo Normal \u003cb\u003e11\u003c\/b\u003e Esta Noche Sólo Cantan Para Mí\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e12\u003c\/b\u003e Triple Salto Mortal\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e13\u003c\/b\u003e Un Mundo Mejor (Instrumental)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eREISSUE 2023 IN TRANSPARENT BLUE VINYL\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eFor Elefant, talking about LA CASA AZUL is like talking about a dream that came true right before our very eyes. We have always been right alongside \u003cb\u003eGuille Milkyway\u003c\/b\u003e, arm in arm, enjoying the trajectory of a musical genius that has broken barriers with that personal, unique way of seeing music, turning it into a mass phenomenon, an incredible group, an unforgettable project within the pop panorama. That’s why we like to look back every so often and bring back one of their grand moments. Like this new reissue of “La Revolución Sexual”, on a gorgeous clear blue vinyl. We’re also re-releasing its immediate successor, “La Polinesia Meridional”, this time on an orange-colored double vinyl with a gatefold sleeve. Because “La Revolución Sexual” is an anthem that belongs, in its own right, to the collective consciousness and the history of pop music in this country. It is one of those works of art that transcends time and has been out of print on vinyl for ages. We know that many fans have been anxiously awaiting the chance to have these vinyls in their collection, and that’s why we have put so much care into every detail of these releases for you. It’s a special moment that’s worth it all. Enjoy!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eORIGINAL PROMOTIONAL TEXT\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eAt least we can hold and touch the long awaited second album by LA CASA AZUL, and with it we can reveal one of the best kept secrets of our times. You won't believe it: the kids in the band are not human! They are humanoids, programmed by producer and composer \u003cb\u003eGuille Milkyway\u003c\/b\u003e so they can perform his high-tech, hyper vitaminated, Nippon-influenced pop songs. Some did already suspect that such a thing could be possible, but most had absolutely no idea that such lovely lads as \u003cb\u003eClara\u003c\/b\u003e, \u003cb\u003eSergio\u003c\/b\u003e, \u003cb\u003eVirginia\u003c\/b\u003e,\u003cb\u003e David\u003c\/b\u003e and \u003cb\u003eÓscar\u003c\/b\u003e were really programmed androids under the orders of their producer's privileged brain.\u003cbr\u003e\u003cbr\u003eThey still do play, dance and sing, though, and they do it as well as they have always done. It's only that now they don't hide anymore the plugs they have in their backs and the pentagon they have in their chests, through which they receive all the needed information. Their connection gives them the energy they need – that seemingly eternal energy they have spread around the world, now we know how could they cope! – and gives them the chance to melt into one and create the most perfect harmonies, never heard by the human ear.\u003cbr\u003e\u003cbr\u003eUnder this new technological, synthetic, futuristic stylism, the songs in \"La Revolución Sexual\" fly away from Love as the one only lyrical axis and dig deeper in fear and frustration. There's also vengeance, anxiety, insecurity and the search for balance.\u003cbr\u003e\u003cbr\u003eMusically, the songs on the new album by LA CASA AZUL are based in the same patterns that turned them into world cult artists: melodic pop songs, with catchy choruses that are easy to strum and singalong. High class pop music, that here shows itself as intentionally artificial, more made in Shibuya than ever. Songs are here maybe more complex than before, but always keeping the timeless classic pop influence that, along with its coups d'effect, sudden changes and surprising twists, describe the magical touch of the songs by LA CASA AZUL.\u003cbr\u003e\u003cbr\u003eNevertheless, this time everything tends to be intentionally more extreme. More clearly artificial, more made in Shibuya. Filtered voices, a huge edition work, sounds from here and there, a thousand details that make every listen entertaining and magic, keeping a delicate balance between the purest 21st century technology and the most classic songs in the history of pop music, that \u003cb\u003eGuille\u003c\/b\u003e knows so well: as if we put all the history of pop music in a cocktail shaker, without any prejudice, Japanese style. In the music by LA CASA AZUL live together without any problems 50's doo wop and 60's easy listening and 60’s bubblegum, 80's technopop, 70's disco and 90's shibuya-key and europop; references to such different yet close bands and artists as ELO, PILOT, \u003cb\u003eHugo Montenegro\u003c\/b\u003e, PIZZICATO FIVE, \u003cb\u003eJean-Jacques Perrey\u003c\/b\u003e, DENIM, \u003cb\u003eJacno\u003c\/b\u003e, \u003cb\u003eEnoch Light\u003c\/b\u003e, \u003cb\u003eLio\u003c\/b\u003e, \u003cb\u003eSilvetti\u003c\/b\u003e, \u003cb\u003eThe Jetset\u003c\/b\u003e,\u003cb\u003e Scoobydoo\u003c\/b\u003e... Or to mention more contemporary names: APRILS, YMCK, PLUS TECH SQUEEZE BOX, CAPSULE, \u003cb\u003eAndreas Dorau\u003c\/b\u003e, STEREOTOTAL, HELEN LOVE, THE GO! TEAM, THE BRAN FLAKES, SCISSOR SISTERS, OPTIGANALLY YOURS...\u003cbr\u003e\u003cbr\u003eAnd how does this new album sound, track by track?\u003cbr\u003e\u003cbr\u003eWell, \"La Nueva Yma Sumac\" is as excessive as the mesmerizing mambo muse mentioned in the title, a song that's full with crazy effects, 8bit sounds, filtered vocals, a touching chorus and a storyline that's optimistic and desperate at the same time.\u003cbr\u003e\u003cbr\u003e\"La Revolución Sexual\" is the title of the album with a wink to \u003cb\u003eWilhelm Reich\u003c\/b\u003e, and it takes us directly to year 78, echoing \u003cb\u003eJohn Paul Young\u003c\/b\u003e and \u003cb\u003eSilvetti\u003c\/b\u003e, funk brass and flutes, disco strings, europop scratches and even a bridge that reminds us of PIZZICATO FIVE.\u003cbr\u003e\u003cbr\u003e\"Prefiero No\" is punk, bubblegum and 8bit in exact proportions, as a perfect definition of LA CASA AZUL. An irresistible chorus, piercing guitars and an apotheotic ending that confirm it as a bubblegum punk hymn against some empty-headed media.\u003cbr\u003e\u003cbr\u003e\"El Momento Más Feliz\"\u003cspan\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003eis a mid-tempo with a stop in Italian 70's style and clapping that could be from a record by \u003cb\u003eRoger Nichols\u003c\/b\u003e or \u003cb\u003eChris Montez\u003c\/b\u003e. A sad song about happiness (and about \u003cb\u003eBrian Wilson\u003c\/b\u003e, and Football Club Barcelona).\u003cbr\u003e\u003cbr\u003e\"Mis Nostálgicas Manías\" is an incredible, euphoric Nippon-styled cocktail that takes us to the world of \u003cb\u003eHannah Barbera\u003c\/b\u003e mixed with THE CHI-LITES and \u003cb\u003eHugo Montenegro\u003c\/b\u003e, and \"No Más Myolastan\" is a europop cry for optimistic rebellion, a protest song in glorious technicolor.\u003cbr\u003e\u003cbr\u003e\"Chicos Malos\" is speeded up europop disco, a classic track from their live sets that's finally found a place on wax. For once, the nerds win over the bad boys with the help of some violins, disco clapping and piano bits à la \u003cb\u003eJeff Lynne\u003c\/b\u003e and ABBA.\u003cbr\u003e\u003cbr\u003e\"Mucho Más De Lo Normal\" sounds like LA CASA AZUL we all know and love to (8) bits: an optimistic song about love, with infectious harmonies, flute and perfect guitar arrangements.\u003cbr\u003e\u003cbr\u003e\"La Gran Mentira\" is a funny doo wop ditty, short but firm in its shout against hypocrisy, and \"Una Cosa O Dos\" is easy listening for the 21st century, speeded up beats, synthetic voices, 8bit and an ultra-melodic bridge that sings about being proud of one's own weaknesses.\u003cbr\u003e\u003cbr\u003e\"Esta Noche Sólo Cantan Para Mí\" is one of those highly emotional tribute songs to the music you love; with a disco backing reminding of ABBA or \u003cb\u003eTina Charles\u003c\/b\u003e and a fabulous chorus, the song speaks about the shelter that is the music you dearly love: \u003cb\u003eBlossom Dearie\u003c\/b\u003e, \u003cb\u003eNina Simone\u003c\/b\u003e, \u003cb\u003eKirsty McColl\u003c\/b\u003e, \u003cb\u003eDusty Springfield\u003c\/b\u003e, \u003cb\u003eKaren Carpenter\u003c\/b\u003e, \u003cb\u003eAstrud Gilberto\u003c\/b\u003e.\u003cbr\u003e\u003cbr\u003e\"Triple Salto Mortal\" is yet another impossible Nippon-styled collage, hyper-energetic chorus, speed bossa beat, and last but not least, \"Un Mundo Mejor\" is an outward funk\/easy listening instrumental, the perfect closing for a wonderful album, packed with surprises and new sensations, that is bringing us back one of our favest bands in perfect shape, totally reinvented but as exciting and fascinating as always. So glad they are back!\u003cbr\u003e\u003c\/p\u003e","brand":"Elefant","offers":[{"title":"LP","offer_id":67992647205140,"sku":"ER1131-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":67992647237908,"sku":"ER1131-2","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/ER-11312023.jpg?v=1793918694"},{"product_id":"keith-canisius-beautiful-sharks-alternate-version-bonus-tracks","title":"Keith Canisius - Beautiful Sharks: Alternate Version + Bonus Tracks","description":"\u003cstrong\u003eRelease date: 10\/14\/2022\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"These tracks are how I made them before I had a manager suggest use of real drums and different guitars. So this is how it would have sounded had I not run into him. I think I like this album version better.\" - Keith Canisius\u003cbr\u003e\u003cbr\u003eThree tracks are exactly the same as the album versions: Juno, Beautiful Sharks, Beach on My Mind.\u003cbr\u003e\u003cbr\u003eAmerican-born Dane and dream pop maestro Keith Canisius (Rumskib, Shortwave Broadcaster) presents the Alternate Version of Beautiful Sharks, an album heavily inspired by the story and mission of Sea Shepherd, which was first seen in the documentary Sharkwater.\u003cbr\u003e\u003cbr\u003e1. The Great White Shark (Alternate Version)\u003cbr\u003e2. LSD (Alternate Version)\u003cbr\u003e3. Interesting Corners (Alternate Version)\u003cbr\u003e4. Eddy Merckx (Alternate Version)\u003cbr\u003e5. Where Did You Go All These Years (Alternate Version)\u003cbr\u003e6. Riot (Alternate Version)\u003cbr\u003e7. Don't Go Inner Doubt (Alternate Version)\u003cbr\u003e8. Beach on My Mind\u003cbr\u003e9. Save the Sharks (Alternate Version)\u003cbr\u003e10. 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While maintaining their psychedelic edge, the trio weaves the lines between genres in a way that’s becoming a signature of its own. 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His debut studio album, Indigo System, is a stunning compilation of eight tracks of futuristic and expansive electronic music that blends elements of funk and jazz in a unique and masterful way, all while remaining authentically mechanical and natural. Chávez's mastery of melodies, textures, and instruments is evident throughout the album, as he creates angular and forested musical paths that possess a surgical yet playful structural logic. The sound narrative of SUBXET is a direct reflection of an artist in full control of his craft, delivering a strikingly confident and certain musical expression. From the intelligent electronics of 'Blastoise' to the haunting beauty of 'Giraki Garden' and the rhythmic puzzle of 'Noise Akimbo', Indigo System offers a colorful listening experience for the listener. The album, produced for Facade Electronics, will have a limited edition of only 100 vinyl units, and has been mastered at Sentrall Sound in L.A. by Anthony Puglisi. Artwork created by Ignacio himself and Rubén A. Tamayo, also known as Fax.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRIYL: Warp label, Burnt Friedman, Aoki Takamasa, Mouse On Mars, et al\u003c\/p\u003e\n\u003cp\u003eTags: #electronica #idm #futurejazz #facadelectronics\u003c\/p\u003e\n\u003cp\u003e1. Blastoise\u003cbr\u003e2. Meltrex\u003cbr\u003e3. Giraki Garden\u003cbr\u003e4. Velvet\u003cbr\u003e5. Peregrine Falcon\u003cbr\u003e6. Noise Akimbo\u003cbr\u003e7. Safari Prisma\u003cbr\u003e8. 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This is why the “New Adventures In Pop” collection was created. So that it could become a selection of delicious albums and, above all, to support the first steps of unique, special musicians and artists who sometimes even then became references in the music scene. PAPA TOPO, TRONCO, LISASINSON, CARIÑO, AXOLOTES MEXICANOS and AIKO EL GRUPO are just a few clear examples of this. And we are sure that MARINITA PRECARIA will be another example of this soon. Because \u003cb\u003eMarina Gómez Marín\u003c\/b\u003e has made one of those unique albums, where the musical calligraphy of our star stands out from the very first second – in the way she produces, in her voice, in her melodies and in her lyrics. “No Me Miréis” takes us to so many places, but in the end it reaches a clear, pristine goal: the most exciting pop possible, or sadness served in the shape of a sugar cube.\u003cbr\u003e\u003cbr\u003eWouldn’t \u003cb\u003eJavier Aramburu\u003c\/b\u003e and \u003cb\u003eIñaki Gametxogoikoetxea\u003c\/b\u003e have just chosen “Tú Pa Qué” to lead a longed-for return of FAMILY? \u003ci\u003e“Y cuando le duele canta \/ Y cuando llueve suena rotita su voz” \u003c\/i\u003e\u003cspan\u003e\u003ci\u003e(And when it hurts, she sings \/ And when it rains, her voice breaks)\u003c\/i\u003e\u003c\/span\u003e. Candor, dreaminess, melancholy, delicateness. It’s all there. “Celosa” takes us to SINGLE and LE MANS at the same time. And the spirit of NOSOTRÄSH’s “Popemas” album lives in the metaphoric and bucolic darkness of “Una Montaña”. “Espatifilo” takes us straight from the title to our beloved VAINICA DOBLE: \u003ci\u003e“Todo me dura tres días \/ Las ganas, la miel, la resaca homicida \/ Las flores del espatifilo con vida \/ La intención de hablarte, la habitación limpia \/...\/ Todo lo que hablo es mentira \/ Que no recuerdo haberte visto aquel día” (Everything lasts three days \/ Energy, honey, killer hangovers \/ The peace lily flowers \/ The intention to talk to you, a clean room \/…\/ Everything I say is a lie \/ I don’t remember seeing you that day)\u003c\/i\u003e. But at the same time songs like “Al Campo” make us think of those new voices who, from their bedrooms, make songs that connect the past and the present with great inspiration and even greater melodies, like \u003cb\u003erebe\u003c\/b\u003e or \u003cb\u003eDani\u003c\/b\u003e.\u003cbr\u003e\u003cbr\u003eBut what most makes MARINITA PRECARIA’s songs stand out from all those other references is the elegance, the humor, the sarcasm and the delicateness with which she submerges herself in negativity, fatalism and the tragic. On “Breve Momento De Voluntad” she says \u003ci\u003e“Los pilares se desplazan de su eje \/ Y amenazan con colapso estructural \/ Yo, visto lo visto; callo, espero y miro \/ Tiene cierto encanto esta calamidad”\u003c\/i\u003e \u003ci\u003e(The pillars shift off their axes \/ And the structure threatens to collapse \/ I, with what I’ve seen, keep quiet, wait\u003c\/i\u003e \u003ci\u003eand see\u003c\/i\u003e \u003ci\u003e\/ This calamity has a certain charm)\u003c\/i\u003e while that guitar makes us think of the luminous and unique album, “Entresemana”. And on the statement of intentions that is “Todos Tristes” she tosses out: \u003ci\u003e“No me puedo quejar \/ Pero estamos todos tristes \/ Desde este otro lugar \/ No parece tan terrible \/ Hay un bosque donde juegan los camaleones al escondite”\u003c\/i\u003e \u003ci\u003e(I can’t complain \/ But we are all sad \/ From over here \/ It doesn’t seem so bad \/ There is a forest where the chameleons play hide and seek)\u003c\/i\u003e. Or that obtuse negation of death, that impossible dialogue that is “Letra De Niña”, full of dark humor, biblical references, apocalypses... It’s delicious.\u003cbr\u003e\u003cbr\u003eStarting with the cover, moving to those lines on the back that explain that these songs came out of the most absolute idleness (that emptiness created by this pandemic), and to the acknowledgements “to everyone, I hope you are all happy”, it is all proof that “No Me Miréis” was born out of an emotional state that fills every note, and that sparkles with effervescence in the hands of a unique artist, whose name we will never be able to forget.\u003cbr\u003e\u003c\/p\u003e","brand":"Elefant","offers":[{"title":"10\"","offer_id":67992662901012,"sku":"ER1274","price":16.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/ER-1274.jpg?v=1793918710"},{"product_id":"la-bien-querida-premeditacion-nocturnidad-y-alevosia","title":"La Bien Querida - Premeditación, Nocturnidad Y Alevosía","description":"\u003cp\u003e\u003cstrong\u003e\u003cb\u003eFirst time as 2xLP. Limited edition green vinyl 2xLP with download. Expected arrival date 4\/12\/2021.\u003cbr\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cb\u003eCD available now.\u003cbr\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cb\u003eTRACKLIST:\u003c\/b\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e01 Poderes Extraños  02 El Origen Del Mundo  03 Alta Tensión  04 Disimulando  05 Ojalá Estuvieras Muerto  06 Encadenados  07 Carretera Secundaria  08 Crepúsculo  09 Música Contemporánea  10 Vueltas  11 Geometría Existencial  12 Muero De Amor\u003cbr\u003e\u003cbr\u003eVinyl collectors have been searching desperately for copies of LA BIEN QUERIDA’s albums for a long time now, since they have been out of print for years. Here at Elefant, we are going to put an end to this situation, in reverse chronological order, in March, April and May, and with copies worthy of such a situation.\u003cbr\u003e\u003cbr\u003eSo, the first to come out, skipping over the recent\u003cspan\u003e \u003c\/span\u003e“Brujería”, will be “Fuego”. Fire corresponds to the south, to the color red, to summer, to the heart. The fire of passion, of love and cholera, fire of the spirit and intuition. As\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eAna\u003c\/b\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eherself said: “\u003cem\u003e\u003ci\u003eIt’s an album that talks a lot about a desire that reaffirms life, pleasure, self-realization, freedom. The process of living established by desire. A desire that is not dark or confusing but luminous and clear”.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/em\u003eAs with the original release, the album will be double black-color vinyl\u003cem\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/em\u003ewith a fold-out gatefold album cover. Songs like “Dinamita”, “7 Días Juntos”, “Recompensarte” and “Los Jardines De Marzo” make it clear just how great this album is.\u003cbr\u003e\u003cbr\u003eThis will be followed by “Premeditación, Nocturnidad y Alevosía”, which will be released for the first time all together on vinyl, as the last release in this format was limited to just three Maxi-Singles of four songs each, which later comprised the final CD. It is a major work of art – complex, multi-faceted, dark. The perfect crime, an endless conspiracy. Once again, the fold-out cover does justice to that wonder that reveals itself little by little, made by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eAna\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003eherself, and on green, double vinyl. “Poderes Extraños”, “Muero De Amor”, “Vueltas”, “Alta Tensión” and “Disimulando” are marvelous songs that have been living in a special corner of our minds for many years.\u003cbr\u003e\u003cbr\u003e“Ceremonia”, the album that let the electronica loose, that overflows with devotion to NEW ORDER, the album where everything changed forever, will be released in the same exact format as the original vinyl, with a different cover for the vinyl and for the CD, each made by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eAna\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003eas the connecting axis, and with songs like “A Veces Ni Eso”, “Arenas Movedizas” and “Carnaval”, which are now included in LA BIEN QUERIDA’s greatest hits. The album will be white vinyl again.\u003cbr\u003e\u003cbr\u003e“Fiesta” will also be the same as the original release, with a black vinyl, reminding us of that celebration, and making us think of how far we have come. This is the album that brought her initial success to its peak, and that definitively opened the world up to her, with its great songs like “Hoy”, “Queridos Tamarindos”, “Sentido Común” and “Noviembre”.\u003cbr\u003e\u003cbr\u003eAnd “Romancero” is where it all started. The one that introduced us to her talent, her ability to write unforgettable lyrics that forever touched our hearts.\u003cspan\u003e \u003c\/span\u003e“De Momento Abril”, “Corpus Christi”, “9.6”, “Bendita”, “Golpe De Estado”, “A.D.N.”...\u003cspan\u003e \u003c\/span\u003e12 incredible songs on an album that is without a doubt one of the great Spanish pop classics of all times. A timeless album that originally, in 2009, was only released as a CD, and was re-released in 2014 as an LP, but the 500 copies made were all gone in seconds. This new release will be on transparent vinyl.\u003cbr\u003e\u003cbr\u003eBut it’s not over yet; to close this collection of re-releases, we are putting out a very special, magenta-colored 7” Single with her most recent releases:\u003cspan\u003e \u003c\/span\u003e“Un Gatito”, her marvelous collaboration with the producer ALIZZZ (who has worked with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eRosalía\u003c\/b\u003e\u003c\/strong\u003e, C. TANGANA, \u003cstrong\u003e\u003cb\u003eAmaia\u003c\/b\u003e\u003c\/strong\u003e, \u003cstrong\u003e\u003cb\u003eAndrés Calamaro\u003c\/b\u003e\u003c\/strong\u003e and \u003cstrong\u003e\u003cb\u003eJorge Drexler \u003c\/b\u003e\u003c\/strong\u003eto name just a few), and her version of “Soy Rebelde” by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eJeanette\u003c\/b\u003e\u003c\/strong\u003e, which has recently been used in the ad campaign for “La Prohibida” cider.\u003cbr\u003e\u003cbr\u003e2021 is going to be a very important year for LA BIEN QUERIDA and their songs are once again going to light up our darkest days. And while\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eAna \u003c\/b\u003e\u003c\/strong\u003efinishes giving shape to her new album, which she is already hard at work on, all of these reissues will make the wait that much sweeter.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cb\u003ePROMOTIONAL TEXT\u003c\/b\u003e\u003c\/strong\u003e\u003cbr\u003eIn all the good horror movies there is a little twist at the end, a surprise that, when done with adequate creativity and elegance, can leave us frozen in our seats, with a twisted gesture and sunken eyes, amazed, unable to react. We can say that something similar happens with LA BIEN QUERIDA’s final touch to the release of the three limited-edition Maxi-Singles, “Premeditación”, “Nocturnidad” and “Alevosía”. The CD includes the songs from the three maxis and also reveals a cover that is the last piece to complete the fresco created to adorn these releases, and that shows us one of those geometric pieces of impossible perspectives. The final trick, the last move, the cherry on top of the indescribably-flavored sundae.\u003cbr\u003e\u003cbr\u003eHaving seen the songs that were separated onto the different vinyls like an ensemble, here we have a marvelous collection. The hit “Poderes Extraños” which opens the album with a powerful chorus and makes itself the king of paranormal territory for a metamusical discourse, and at the same time is tremendously suggestive and fun. The gritty textures of “El Origen Del Mundo”, one of the songs that best foreshadows the already well-known obsession of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eAna Fernández-Villaverde\u003c\/b\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewith love and its fatality. This release, apart from being a huge help to all those who don’t have a record player, also helps achieve a a more sober and compact vision of a stage in LA BIEN QUERIDA’s career that is without a doubt going to leave a mark. The emotional abrasion of “Alta Tensión” and that “Ya no te quiero” leave us literally desolate. This is what terror is. The blender of influences that fits into “Disimulando”, with the support of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eJoe Crepúsculo\u003c\/b\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand the ability of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eDavid\u003c\/b\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eAna\u003c\/b\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto make room for all kinds of sounds.\u003cbr\u003e\u003cbr\u003eThe strength of a great song like “Ojalá Estuvieras Muerto” that opens the door to the debate between life and death of “Encadenados”, where a light halo of pop spirit gives us a second to catch our breath. “Carretera Secundaria” could be part of the soundtrack of a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cb\u003eDavid Lynch\u003c\/b\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emovie, while that mix of melancholy, evocation, and tension of “Crepúsculo” would win itself a well-deserved spot in “Drive”. The music, always the music: deep down all this mystery was about this, like that pop marvel “Música Contemporánea”, another of the (many) big singles the album has (oh, does this album have big singles!). The spiraling journey of “Vueltas”, hypnotic, psychedelic, playful, and at the same time disturbing. “Geometría Existencial” brings the level of tension up even more. And then we get to the end, represented by “Muero De Amor”, a wonder of lyricism and emotion, precious and magical. There are no answers to look for. Our own feelings are there, and they are the answers that draw our questions.\u003cbr\u003e\u003cbr\u003eSeen like this, everything that has ultimately given shape to “Premeditación, Nocturnidad y Alevosía”, LA BIEN QUERIDA’s fourth album, seems like a big game, a twisted plot that was perfectly planned right from the start. And maybe it was. 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First performed under the supervision of John Cage in 1963, this radical, enigmatic, proto-Surrealist work is now recognised as a significant milestone in the avant-garde canon. This meditative 70 minute recording features 40 repetitions of the motif, performed by Alan Marks on piano.\u003c\/p\u003e\n\u003cp\u003eDisc 2 is a collection of Dada-related works, including music used by Francis Picabia, Tristan Tzara, Kurt Schwitters and René Clair. An enthusiastic Dada activist in Paris between 1920 and 1924, Satie collaborated extensively with Tzara, Man Ray, Pablo Picasso and Jean Cocteau, and wrote often in Picabia's journal\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e391\u003c\/i\u003e. Performed on piano by Bojan Gorisek, this disc includes\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrois morceaux en forme de poire\u003c\/i\u003e, performed by Satie in 1923 at Tzara's notorious\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSoirée du Coeur à Barbe\u003c\/i\u003e, as well as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRagtime Dada\u003c\/i\u003e, an extract from the ballet\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eParade\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eperformed at Dada events staged by Kurt Schwitters and Theo van Doesburg in 1922. Also included is Satie's score for\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEntr'acte\u003c\/i\u003e, Picabia's dazzling multi-media 'instantaneist' ballet.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRelâche\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003edates from 1924, while\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCinéma\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis Satie's music for an intermission film by René Clair. Both are arrangements for solo piano.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCubist Works\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eon Disc 3 offers four works composed by Satie between 1913 and 1924 for his collaborations with Pablo Picasso. These include piano and orchestral versions of his scores for the celebrated 'Cubist' ballets\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eParade\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1917) and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMercure\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1924), as well as a seldom-heard organ 'diversion',\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Statue Found\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(1923). This third disc also includes\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Puppets Are Dancing\u003c\/i\u003e, written for the French Futurist dancer\/poet Valentine de Saint-Point in 1913, and the ludic\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrois valses distinguées du précieux dégouté\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e('Three Disgustingly Precious Waltzes'), a barbed swipe at rival composer Maurice Ravel, premiered at an exhibition of works by Picasso, Matisse and others in 1916. Solo piano performed by Bojan Gorisek.\u003c\/p\u003e\n\u003cp\u003eDisc 4 leads with Satie's often referenced (but seldom heard)\u003cspan\u003e \u003c\/span\u003e\u003ci\u003emusique d'ameublement\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(furniture music), written to order for various benefactors between 1917 and 1923. Intended to be heard in the background, rather than actually listened to, these five disparate pieces have been cited as a conceptual precursor to the ambient, minimal, functional and serial works of Brian Eno, Paul Hindemith, Steve Reich and Philip Glass. Also included are the experimental pieces\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDescriptions automatiques\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSports et divertissements\u003c\/i\u003e, the latter a collection of 21 miniatures from 1914 published with illustrations by Charles Martin. Disc 4 also finds space for Satie's single-act, neo-Dada lyric comedy\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLe Piège de Médusa\u003c\/i\u003e, comprising\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e'seven tiny dances for Jonah the Monkey'\u003c\/i\u003e, illustrated by Cubist painter Georges Braque., as well as his 'Christian ballet'\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eUspud\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efrom 1892.\u003c\/p\u003e\n\u003cp\u003eThe 4 CDs are housed in a clamshell box, which also includes an illustrated 32 page booklet featuring detailed liner notes by James Nice and Stephen Whittington.\u003c\/p\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cb\u003eCD 1 tracklist\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Vexations (69.42)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCD2 tracklist\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Trois morceaux en forme de poire\u003cbr\u003e2. 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Uspud\u003c\/p\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cp\u003eAvailable as a 4xCD box set.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Les Disques du Crepuscule","offers":[{"title":"4xCD box set","offer_id":67992678760724,"sku":"TWI1258","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/twi1258cd_e99e183a-ef52-4d8b-8adf-58e317b8a77c.jpg?v=1793918720"},{"product_id":"patient-vintage","title":"Patient - Vintage","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eRelease Date: 2\/24\/23\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv\u003eThis recording by Patient, aka Simon Wood, is one of the most quietly disarming and utterly captivating debuts in recent memory. Electronic music is at its most inviting when the ear partakes of new sounds, new textures, new colors; what the cochlea understands, the mind then works to fill in the blanks. Well, this sumptuous feast for those of us with the most selective of palettes never fails to disappoint. Woods has stumbled onto something wonderful here, a slice of pastoral, blissfully-besieged electronica that nurtures many an antecedent but remains nevertheless its own particular animal. Close your eyes and you can easily conjure up strands of Boards of Canada, some of K. Leimer’s equally summery landscapes, the many-splendored things harbored within Taylor Deupree and his 12k label’s bucolic brethren, some of the tinkertoy tronix spun out from Arovane, Morr Music, and their ilk. Yes, it’s part and parcel of all the above and yet nothing like them. 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Equally surprising, the vinyl is from a NC band, Glissade. Further, Glissade’s sophomore release on Deep Space Recordings is stunning! Further is reminiscent of early Spacemen 3, Can, Mogwai \u0026amp; pre Wall Pink Floyd, full of druggy neo psychedelia \u0026amp; instrumental shoegaze. Walls of guitars \u0026amp; synthesizers cascade around the listener enveloping them as melodies delicately glide. Songs rise \u0026amp; fall w\/ great precision \u0026amp; ease but without typical song structure. Songs flow into one another as smoothly as the songs do themselves, much as a concept album would. The mood is never broken though many of the tracks are different from one another. Further gives the listener the impression of looking in on a otherworldly realm created by Glissade. Dare I say the best instrumental rock record released by a NC band? Yes. 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With only 2018’s double A-side single “The Witches” and “The Crown Prince of Lies” in between, this represents their first collection of new songs in 13 years: from short and tightly constructed country-folk introspections to sprawling, spaced-out psychedelia, including a couple of extremely sharp pop glimmers and a killer Morricone-like instrumental.\u003cbr\u003e\u003cbr\u003eOriginally conceived of as a series of 4 track EPs based on the seasons in which they were created, the recordings spanned into a patchwork of sessions with long-time collaborator and producer \u003cb\u003eMichael Brennan\u003c\/b\u003e at his Substation studio, neighboring a naval port in Rosyth. The ongoing recording sessions were made possible with the kind support of Robert Dillam, drummer for The Zephyrs and ex-guitarist for Creation band \u003cb\u003eAdorable\u003c\/b\u003e.\u003cbr\u003e\u003cbr\u003eWith songs ranging from short and tightly constructed country-folk introspections to sprawling, spaced-out psychedelia, what resulted was an album near to double length. The collection presented as “For Sapphire Needle” is a cut-down selection of these songs. The record opens with “Leatherback”, a \u003cb\u003eCrazy Horse\u003c\/b\u003e inspired wall of distorted guitars drawing on lyrics from The Zephyr’s first album and pre-history, followed by the four songs earmarked for the first of the seasonal EPs – Winter – whose artwork was photographed in the alley behind Traceyann Campbell’s (\u003cb\u003eCamera Obscura\u003c\/b\u003e) house in Glasgow.\u003cbr\u003e\u003cbr\u003eElsewhere on the album, “I tell you what” had much of its writing and recording initiated in a wooden shack near Aviemore and “Bolder” tells the story of overheard bar-side conversations and delayed flights in Denver airport, where lizard people live underground and some say the new world order lays dormant. The domestic depression of “How have you been today” precedes closing opus “Aliens”, inspired in equal measures by the maturation as social control science fiction of The Tripods and the schlock b-movie imagery of Rocky Erickson’s The Evil One.\u003cbr\u003e\u003cbr\u003eThe album is the work of older and more consistent \u003cb\u003eThe Zephyrs\u003c\/b\u003e. Stuart, David and Robert joined by collaborators: guitarist John Brennan and keyboardist Will Bates. The songs and sounds are sculpted out of slabs of time with friends at the Substation, a de facto weekly youth club for musicians who refuse to grow old. The triple bridges of Queensferry, the shipbuilding cranes of Rosyth docks and Babcock's shop - one of the few places in Scotland you can buy a real periscope over the counter - are just some of the backdrops as the Zephyrs rehearse for nobody but themselves. 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Not only in painting. But - as now with me - also in music. The initial spark for the Album \"For you, Humanity\" was a drop of paint on the floor of my studio, which resembled the painting of the same name by Tahir Salahov from 1961. And so i already found the album theme. Out of this blue blob i developed 9 pearls, which approach the theme of humanity in different ways - if you like, apophenic art in acoustic form. Anyone who knows me, can guess that the music on this work is not an exclusively melodious end in itself but could serve an overriding goal. Thus, I wish that the listener at the end of the meditative journey through the 9 stations of the chill-out recognizes and lives what really counts in human interaction: Love and mercy. Those qualities that are for me a guiding light along my life path. PEACE\u003cbr\u003e\u003cbr\u003eAll tracks were written, arranged, produced and mastered by Dr. Atmo in my tiny home studio–Berlin 2020.\u003cbr\u003e\u003cbr\u003eFirst of all my special greetz goes to Mia\/my forever love and my parents who gave me this education and possibility to live my life in freedom and peace. Special love for inspiring and helping me create this album goes to Osho, Jim Morrison, Janis Joplin, Robert Wyatt, Deuter, Vangelis, MJ, Spike Jones, and (believe it or not) Champagnepapi (for started from the bottom), Govi \u0026amp; Egon (where are you brother?). All done as love for art and with maximum respect to all sample owners\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eTrack list:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eAm I?\u003c\/li\u003e\n\u003cli\u003eHumanity\u003c\/li\u003e\n\u003cli\u003eStart with a Chill\u003c\/li\u003e\n\u003cli\u003eCosmic Bell\u003c\/li\u003e\n\u003cli\u003eJim's Vision\u003c\/li\u003e\n\u003cli\u003eThe Found\u003c\/li\u003e\n\u003cli\u003eThe Love\u003c\/li\u003e\n\u003cli\u003eTry the Better World\u003c\/li\u003e\n\u003cli\u003eKeep on Dreaming\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Carpe Sonum","offers":[{"title":"CD","offer_id":67992691441940,"sku":"SEIZELVIII","price":11.4,"currency_code":"USD","in_stock":true},{"title":"MP3","offer_id":67992691474708,"sku":"SEIZELVIII","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1035\/0284\/0084\/files\/S58-Cover1500.png?v=1793918733"}],"url":"https:\/\/primeunion.shop\/collections\/music-releases.oembed?page=92","provider":"Linden \u0026 Oak","version":"1.0","type":"link"}